For my third artefact, Ive decided to do a digital matte painting.
A
matte painting is a painted representation of a landscape, set, or distant location that allows filmmakers to create the illusion of an environment that would otherwise be too expensive or impossible to build or visit.
Compare the digital matte painting and the original matte painting. Traditionally, matte paintings were made by artists using paints or pastels on large sheets of glass for integrating with the live-action footage. The first known matte painting shot was made in 1907 by
Norman Dawn (ASC)By the mid-1980s, advancements in computer graphics programs allowed matte painters to work in the digital realm.
The first digital matte shot was created by painter Chris Evans in 1985 for
Young Sherlock Holmes for a scene featuring a computer-graphics (CG) animation of a knight leaping from a stained-glass window. Evans first painted the window in acrylics, then scanned the painting into LucasFilm’s Pixar system for further digital manipulation. The
computer animation (another first) blended perfectly with the digital matte, something a traditional matte painting could not have accomplished.
Throughout the 1990s, traditional matte paintings were still in use, but more often in conjunction with digital compositing.
Here is my experiment on Digital Matte Painting-


These two are the original photographs from internet.
This is the final outcome :